As a producer who aims to make 2-10 million dollar genre flicks, I don’t see why ticket prices shouldn’t be scaled to budgets. Don’t want to pay 25 bucks to see Avengers 16? Pay 10 to see a low to mid budget crime or horror flick instead.
To keep profits up, theaters should bring back double features, intermissions, and sell popcorn with THC butter. Snack sales will explode.
I agree with you that this summer of 300 million dollar studio flops is well deserved and that the unholy fusion of Big Tech and Hollywood has destroyed our industry. Unfortunately for TV buffs, the era of big budget streaming is now also coming to a close due to a mixture of labor actions, rising interest rates, and the simple fact that there are too many apps and none of them make money.
The reason I prefer watching movies in theaters is because I enjoy communal experiences and feel good movies are enhanced by leaving home and joining a crowd. It’s the same reason I go to concerts, sporting events, and plays and comedy shows. Plus I am required to turn off my phone.
Theatres were dying before covid. People can get a better experience from home for less money. This is one of those things covid helped speed the death of up. Just like distributed working for those who have jobs that can be done remote offers better productivity with lower costs to employers and workers. Those businesses that fail to adapt will be brought into the future kicking and screaming or just fail to adapt and die off.
Why don’t you all get togther and make a kickstarter for films, to go around the big corporate structure. Some sort of non-profit film studio that’s devoted to creating creating great scripts and funding their production.
Crowdfunding has been great for small indie video games and products and historically awful for film. Remember the Veronica Mars movie on Kickstarter? They raised a shitload of money from fans and then sold it to WB. We haven’t seen a high profile film crowdfunded since. WeFundr exists, but isn’t particularly killing it.
To make a real movie with wide theatrical potential, you need people willing to put six and seven figures in. Investors in movies want equity and access. They want a piece of the potential profit, they want to visit sets, meet movie stars and directors, and come to premieres and festivals. They want to have a cameo in the movie or give their kid a job on set. They want to see their names on a screen. They want to give notes. They want to tell their friends they made a movie. They want to be a part of the show. It’s my job to facilitate these investments while protecting my filmmakers from interference.
Stop watching the high budget movies then. Higher budgets creates higher risks, thus prioritizing methods to getting a return on their investment rather than just what would make the movie better.
Or better yet, just watch the movies that you think look cool and stop worrying about the underlying political mind games of the film industry.
I think its a fair assumption. Statements like “movies suck now” are big indicators of the types of movies the person making the statement are watching. There are tonnes of excelent films out there, they just dont get the backing and advertisement that big budget films get. You have to go out and find them. There are resources all over the internet for finding good movies (big or small budget) but you have to make the effort to look and find something good. Thats just what happens when big industries get their fingers in the pie.
If you are watching a trailer and deciding based on that alone if you want to see a film thats fine. But dont be mad when you walk out feeling like they missold the quality of the film.
Some of the best films ive seen have looked bad or uninteresting in trailers.
Refardless my point was there is no reason that you should be offended by the assumption that you only watch mainstream films especially when you basically admit that when arguing back.
As a producer who aims to make 2-10 million dollar genre flicks, I don’t see why ticket prices shouldn’t be scaled to budgets. Don’t want to pay 25 bucks to see Avengers 16? Pay 10 to see a low to mid budget crime or horror flick instead.
To keep profits up, theaters should bring back double features, intermissions, and sell popcorn with THC butter. Snack sales will explode.
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I agree with you that this summer of 300 million dollar studio flops is well deserved and that the unholy fusion of Big Tech and Hollywood has destroyed our industry. Unfortunately for TV buffs, the era of big budget streaming is now also coming to a close due to a mixture of labor actions, rising interest rates, and the simple fact that there are too many apps and none of them make money.
The reason I prefer watching movies in theaters is because I enjoy communal experiences and feel good movies are enhanced by leaving home and joining a crowd. It’s the same reason I go to concerts, sporting events, and plays and comedy shows. Plus I am required to turn off my phone.
Theatres were dying before covid. People can get a better experience from home for less money. This is one of those things covid helped speed the death of up. Just like distributed working for those who have jobs that can be done remote offers better productivity with lower costs to employers and workers. Those businesses that fail to adapt will be brought into the future kicking and screaming or just fail to adapt and die off.
Your ideas are intriguing to me and I wish to subscribe to your newsletter.
Why don’t you all get togther and make a kickstarter for films, to go around the big corporate structure. Some sort of non-profit film studio that’s devoted to creating creating great scripts and funding their production.
Crowdfunding has been great for small indie video games and products and historically awful for film. Remember the Veronica Mars movie on Kickstarter? They raised a shitload of money from fans and then sold it to WB. We haven’t seen a high profile film crowdfunded since. WeFundr exists, but isn’t particularly killing it.
To make a real movie with wide theatrical potential, you need people willing to put six and seven figures in. Investors in movies want equity and access. They want a piece of the potential profit, they want to visit sets, meet movie stars and directors, and come to premieres and festivals. They want to have a cameo in the movie or give their kid a job on set. They want to see their names on a screen. They want to give notes. They want to tell their friends they made a movie. They want to be a part of the show. It’s my job to facilitate these investments while protecting my filmmakers from interference.
Well that explains why movies suck so much nowadays. Y’all need to fix that.
Stop watching the high budget movies then. Higher budgets creates higher risks, thus prioritizing methods to getting a return on their investment rather than just what would make the movie better.
Or better yet, just watch the movies that you think look cool and stop worrying about the underlying political mind games of the film industry.
I don’t. Maybe don’t assume shit.
Feels like reddit in here.
I think its a fair assumption. Statements like “movies suck now” are big indicators of the types of movies the person making the statement are watching. There are tonnes of excelent films out there, they just dont get the backing and advertisement that big budget films get. You have to go out and find them. There are resources all over the internet for finding good movies (big or small budget) but you have to make the effort to look and find something good. Thats just what happens when big industries get their fingers in the pie.
No I don’t need to go find them. The fact is we are talking about movie theaters. The types of movies people don’t have to fuckin Google.
Low budget films play in movie theatres too.
If you are watching a trailer and deciding based on that alone if you want to see a film thats fine. But dont be mad when you walk out feeling like they missold the quality of the film.
Some of the best films ive seen have looked bad or uninteresting in trailers.
Refardless my point was there is no reason that you should be offended by the assumption that you only watch mainstream films especially when you basically admit that when arguing back.