M68040 [they/them]

I actually still mess with diskettes on a fairly frequent basis, but it’s more of a hobby thing than a serious use thing

So Long, Astoria.

For anyone who actually wants a sequel for some reason, Konami made a NES game that’s pretty solid.

I think I’m a Marxist-Kirkjohnist.

Rahm Emanuel vexes me by continuing to live.

Yeah I’ve just kind of felt like shit for one reason or another for most of my life to this point. The 2000s sucked

Enjoying an ice cold Baikal Cola, the American classic

Rocky Linux 2

Assigned System/370 Operator At Birth

I’m curious as to how people toughed it out despite most christian religious institutions being so uniformly corrupt and plain irritating. Shit, the crowd FSTDT dunks on, american politicians, and internet theology were all it took for me to get so deeply disillusioned I wanted to just cut strike everything from my mind, regardless of who’s right or wrong. Merely not having other options to a point where leaving is unthinkable? Fear of reprisal from legal and cultural consequences?

Then again, I suppose at that point they would’ve just shifted to a different, less institution-focused denomination instead of just saying “fuck the whole thing” like I did. It wasn’t a matter of the facts, it was a matter of me being fucking sick of them.

On that note, what’s up with the obligate coprophagy of the koala? And their famously smooth brains? I’d make the koala, were it I in the high seat, but a kind and caring creator wouldn’t.

Fartifuckballsland

I want blood. Don’t care whose it is just so long as some of it is theirs

Seibu Kaihatsu’s Dynamite Duke (1989), a pretty novel hybrid Cabal-like/Beat-'em-up with a lot of love put into it. The arcade version’s got a pretty slick art direction, the environmental destruction vfx rock, and the animation’s pretty slick. The whole thing’s got that passion project charm to it. Unfortunately, Cabal clones were only really in vogue in that late '80s/early '90s space, and the beat 'em up gameplay isn’t fleshed out or consistently applied enough to be satisfying in a post-Final Fight, post-Streets of Rage world. I’d like to see something like it, but there’s no way to bring Duke into the world of modern game design practices without drastic reformulation at a minimum.

Notably, Seibu had really high hopes for Duke, being a passion project and a intended magnum opus. Unfortunately, lukewarm reception brought in poor returns, the company slipped into dire straits, and they were forced to make something simpler and lower stakes as a hail mary. That title - a simple, Toaplan-esque shooter nobody had any real faith in - turned out to be Raiden, which would become a darling in arcades, pushing 17,000 units solds worldwide in the first year after release, and becoming the fifth highest grosser on the Japanese market in 1991. (Beating out some offerings from much bigger players like Konami)

It’s like they’re trying to destroy everyone’s trust in them. Can’t even toe the whole “Villain with good publicity” line effectively.

I miss Wesley Willis.

Watching that in my high school electronics class was a early radicalizing moment

Imagine where we’d be if this stuff was allowed to mature in the 2000s alone

In a weird way, the development of advanced communications and coordination technology has only made it harder for anything to change in a significant way .

Am I gonna have to pay for a vpn that actually lets me fake being outside the ‘states? I usually self host on a VM host to avoid incurring expenses, but it seems like that’s not really an option here. Seems like I might have to go for a AWS instance running PiVPN or something.

Yeah, that’s kind of what I was wondering. Turns out you can’t really do much useful with a self-hosted local VPN, but I like having the option of using one be something my VM host server provides.