Nailed it

Fill it up with lube first then have it snot that out in mucus-y rivulets

James Connolly (Irish: Séamas Ó Conghaile; 5 June 1868 – 12 May 1916) was a Scottish born Irish republican, socialist, and trade union leader, executed for his part in the 1916 Easter Rising against British rule in Ireland. He remains an important figure both for the Irish labour movement and for Irish republicanism.

Wikipedia

“United Kingdom” ? Yeah good map if this was 1915.

I face my wife. So yeah

I fell down the last three steps of my stairs today

The letter was signed by Trump administration officials, including Kevin Carroll, former senior counselor to Kelly; former deputy press secretary Sarah Matthews; former assistant secretary of homeland security Elizabeth Neumann; former White House communications director Anthony Scaramucci; former chief of staff at the Dept. of Homeland Security Miles Taylor; former White House press secretary Stephanie Grisham; former press secretary to the vice president Alyssa Farah Griffin; and former national security adviser to vice president Pence, Olivia Troye.

The suit, filed in Baltimore County, accuses McMahon and his wife, Linda McMahon, and World Wrestling Entertainment and its parent company, TKO Holdings, of allowing the “open, rampant abuse” of so-called “ring boys” as young as 12 who acted as assistants to ringside announcer Melvin Phillips Jr. in the 1980s and 1990s

https://www.cnbc.com/quotes/DJT

Yeah but what about your gimp?

More space means less braking, reducing bunching up. Check this article on traffic waves out

How much?

Just the shots of balls swinging

Haha Irish people are all drunk is the joke here

Husband’s bad

Maybe it’s because all the drama causing cats and dogs have been eaten?

• “Hanyo” (dir. Kim Ki-young, 1960),
• “Rocco and His Brothers” (dir. Luchino Visconti, 1960),
• “Psycho” (dir. Alfred Hitchcock, 1960),
• “Vengeance Is Mine” (dir. Shohei Imamura, 1979),
• “Raging Bull” (dir. Martin Scorsese, 1980),
• “A City of Sadness” (dir. Hou Hsiao-hsien, 1989),
• “Happy as Lazzaro” (dir. Alice Rohrwacher, 2018),
• “Mad Max: Fury Road” (dir. George Miller, 2015),
• “Zodiac” (dir. David Fincher, 2007),
• “Cure” (dir. Kiyoshi Kurosawa, 1997),
• “Do The Right Thing” (dir. Spike Lee, 1989),
• “Pulp Fiction” (dir. Quentin Tarantino, 1994),
• “Asako I & II” (dir. Ryusuke Hamaguchi, 2018),
• “Aguirre: The Wrath Of God” (dir. Werner Herzog, 1972),
• “The 400 Blows” (dir. Francois Truffaut, 1959),
• “The Ballad of Narayama” (dir. Keisuke Kinoshita, 1958),
• “Being John Malkovich” (dir. Spike Jonze, 1999),
• “Fanny and Alexander” (dir. Ingmar Bergman, 1982),
• “Deliverance” (dir. John Boorman, 1972),
• “Fargo” (dirs. Joel and Ethan Coen, 1996),
• “The Great Escape” (dir. John Sturges, 1963),
• “The Housemaid” (dir. Kim Ki-young, 1960),
• “Intensions of Murder” (dir. Shohei Imamura, 1964),
• “Io Island” (dir. Kim Ki-young, 1997),
• “Life Is Sweet” (dir. Mike Leigh, 1992),
• “Lola Montes” (dir. Max Ophlus, 1955),
• “The Man Who Fell to Earth” (dir. Nicolas Roeg, 1976),
• “Midsommar” (dir. Ari Aster, 2019),
• “Hereditary” (dir. Ari Aster, 2018),
• “Nashville” (dir. Robert Altman, 1975),
• “Rushmore” (dir. Wes Anderson, 1998),
• “Seconds” (dir. John Frankenheimer, 1966),
• “The Thing” (dir. John Carpenter, 1982),
• “Things to Come” (dir. William Cameron Menzies, 1936),
• “Touch of Evil” (dir. Orson Welles, 1958),
• “Uncut Gems” (dirs. Josh and Benny Safdie, 2019),
• “The Wages of Fear” (dir. Henri-Georges Clouzot, 1953),
• “Flee” (dir. Jonas Poher Rasmussen, 2021),
• “Wendy and Lucy” (dir. Kelly Reichardt, 2008),
• “Drive My Car” (dir. Ryûsuke Hamaguchi, 2021),
• “Don’t Look Up” (dir. Adam McKay, 2021),
• “Sorry We Missed You” (dir. Ken Loach, 2019),
• “Happening” (dir. Audrey Diwan, 2021),
• “The Mitchells vs. The Machines” (dir. Mike Rianda, 2021),
• “Sundown” (dir. Michel Franco, 2021),
• “Happy Hour” (dir. Ryûsuke Hamaguchi, 2015),n
• “Sewing Sisters” (dirs. Jung-young Kim and Lee Hyuk-rae, 2020).

“Hanyo” (dir. Kim Ki-young, 1960), “Rocco and His Brothers” (dir. Luchino Visconti, 1960), “Psycho” (dir. Alfred Hitchcock, 1960), “Vengeance Is Mine” (dir. Shohei Imamura, 1979), “Raging Bull” (dir. Martin Scorsese, 1980), “A City of Sadness” (dir. Hou Hsiao-hsien, 1989), “Happy as Lazzaro” (dir. Alice Rohrwacher, 2018), “Mad Max: Fury Road” (dir. George Miller, 2015), “Zodiac” (dir. David Fincher, 2007), “Cure” (dir. Kiyoshi Kurosawa, 1997), “Do The Right Thing” (dir. Spike Lee, 1989), “Pulp Fiction” (dir. Quentin Tarantino, 1994), “Asako I & II” (dir. Ryusuke Hamaguchi, 2018), “Aguirre: The Wrath Of God” (dir. Werner Herzog, 1972), “The 400 Blows” (dir. Francois Truffaut, 1959), “The Ballad of Narayama” (dir. Keisuke Kinoshita, 1958), “Being John Malkovich” (dir. Spike Jonze, 1999), “Fanny and Alexander” (dir. Ingmar Bergman, 1982), “Deliverance” (dir. John Boorman, 1972), “Fargo” (dirs. Joel and Ethan Coen, 1996), “The Great Escape” (dir. John Sturges, 1963), “The Housemaid” (dir. Kim Ki-young, 1960), “Intensions of Murder” (dir. Shohei Imamura, 1964), “Io Island” (dir. Kim Ki-young, 1997), “Life Is Sweet” (dir. Mike Leigh, 1992), “Lola Montes” (dir. Max Ophlus, 1955), “The Man Who Fell to Earth” (dir. Nicolas Roeg, 1976), “Midsommar” (dir. Ari Aster, 2019), “Hereditary” (dir. Ari Aster, 2018), “Nashville” (dir. Robert Altman, 1975), “Rushmore” (dir. Wes Anderson, 1998), “Seconds” (dir. John Frankenheimer, 1966), “The Thing” (dir. John Carpenter, 1982), “Things to Come” (dir. William Cameron Menzies, 1936), “Touch of Evil” (dir. Orson Welles, 1958), “Uncut Gems” (dirs. Josh and Benny Safdie, 2019), “The Wages of Fear” (dir. Henri-Georges Clouzot, 1953), “Flee” (dir. Jonas Poher Rasmussen, 2021), “Wendy and Lucy” (dir. Kelly Reichardt, 2008), “Drive My Car” (dir. Ryûsuke Hamaguchi, 2021), “Don’t Look Up” (dir. Adam McKay, 2021), “Sorry We Missed You” (dir. Ken Loach, 2019), “Happening” (dir. Audrey Diwan, 2021), “The Mitchells vs. The Machines” (dir. Mike Rianda, 2021), “Sundown” (dir. Michel Franco, 2021), “Happy Hour” (dir. Ryûsuke Hamaguchi, 2015),n “Sewing Sisters” (dirs. Jung-young Kim and Lee Hyuk-rae, 2020).

17.237kg

We’re*