#horror #writer. Stories in the British Fantasy Society, 2022 HWA Poetry Showcase, Flame Tree Press, Crystal Lake Publishing, others. Codex, HWA.

Chief architect. Co-founder of Rocky Linux and the RESF.

New England.

https://semioticstandard.com

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Joined 1 year ago
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Cake day: June 1st, 2023

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  • macOS is just a great OS. It’s polished, and thoughtfully designed with care, as are many of the apps available for it. I like that it integrates very well with my other Apple devices. Because of its BSD underpinnings, a lot of Linux-y things work very well with it. I use the Terminal (actually Warp, but same idea) on a daily basis for different things. A lot of the tools that I know and use on my Linux servers work here as well. I can write automation for it, and apps like Raycast and Alfred make building workflows and scripts, and tying those together, really easy. It’s much more secure than Windows. I also don’t have to worry about stupid shit like literal fucking advertising being built into the OS, as you have with Windows.

    As for Rocky Linux, well, I’m a co-founder of it (and the Rocky Enterprise Software Foundation) and helped build it, so my biases there are obvious.



  • The personalized, colorful web pages became streamlined, conforming to modern design standards and sacrificing individuality for uniformity.

    There are some pretty big advantages to ‘modern design standards.’ For one, they make the Internet a less hostile place to users with accessibility needs. I don’t have problems viewing clashing colors, flying gifs, jumbled pages with no sanity, etc, but a hell of a lot of people with various disabilities sure do. I don’t want to even think about how screen readers try to deal with pages like that. Web1.0 offered absolutely nothing for those users who needed accessibility.


















  • Leigh@beehaw.orgtoChat@beehaw.orgA hive of scary stories?
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    1 year ago

    Get into short horror stories. GOOD stories published by professional magazines like Nightmare, The Dark, Black Static, Weird Horror, Pseudopod. Those are all places that pay professional rates and who have won tons of awards. Anthologies edited by Ellen Datlow are also good, who does the Year’s Best. Crystal Lake Publishing is good as well, both their short stories, novels, and their podcasts. Weird Little Worlds is another indie publisher that has put out good stuff. (Disclosure: I’ve had stories published by both CLP and WLW—the Mother: Tales of Love and Terror antho I was in was a finalist for the Bram Stoker award this year.)

    If you want good horror, you need to go to the places that publish it professionally. Issues are pretty cheap, and there’s plenty of free stuff on their sites as well.