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Joined 1 year ago
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Cake day: June 6th, 2023

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  • I’m not sure if upgrade is the right word. DBFZ is a tag team 2D fighter (think MvC2). I absolutely loved that game and got me more interested in fighting games (even though I’m trash at them)

    From what I can tell, Sparking Zero! is an arena fighter that’s common for anime adaptation games (think Naruto: Ninja Storm) but is mostly known by it’s spiritual predecessors the DBZ: Budokai Tenkaichi series. Not a big fan of the arena fighters since they’re mostly yearly cash grabs with rarely any depth but to each their own.

    Essentially it’s a bit unfair to compare because they’re aimed at slightly different audiences. OG DBZ fans have been waiting for a Budokai Tenkaichi “4” and this is it.



  • I disagree with the implication that users should “settle down” when faced with user-unfriendly experiences.

    User silence is often taken as permission to continue shitty practices that build up overtime. Bloated games that are unoptimized, online subscription to play online, not even fully owning the games, not able to use your own bluetooth headset etc.

    This tweet just perpetuates how consumer-hostile nature of these companies. It attempts to play down a potential revenue stream at the expense of UX, subtle gaslight users into thinking this is part of the “over-reactionary culture” when this a perfectly valid criticism, and makes no attempt to be sympathetic about these implications.

    Honestly, this has made me swore off a PS5 and future sony consoles. It’s no longer affordable, convenient, or simply. I do love my DS4 controller tho.






  • honestly not trying to be a shill but there was a brief period that caught a glimpse of a post-piracy world where there were very little streaming services that had all the content you could want. It moved me away from piracy because of the convenience, library, and being able to share with friends and family.

    Ideally a post-piracy world would have the options for uncensored/original versions of content, the ability to buy and store said content locally and own in perpetuity, with a price point for access to a vast library from a very small number of services. As many have said, the way to combat “piracy” is to offer a service better than piracy itself.






  • eighty@lemmy.onetoManga@lemmy.mlTypical japanese isekai plot
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    8 months ago

    Not a fan of the genre so take what I say with a grain of salt but I’ve always viewed it as the destillation of the “fish out of water” and power fantasy combined into one. Both reasonably popular tropes tied into one.

    So it’s already readily consumeable for the targeted demo and relatively easy to write/draw since the you don’t need to worry about developing a distinct character trait/trope (he’s unique/powerful) or unique narrative framing. It’s not necessary bad, just easy to produce and readily consumable. It’s the equivalent of the step-fantasy or fast food. Not evil or bad, just not particularly unique.

    Then you eventually get amazing works (Jack In The Box’s Chick n tater melt, Overlord, Eminence In The Shadow) that either push the best traits to 11 or are a direct commentary on the genre itself.



  • eighty@lemmy.onetoaww@lemmy.worldRevenge for tail spoiling
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    10 months ago

    Formally, this is an example of positive punishment where the addition of a stimulus decreases the likelihood of the target behavior occuring again.

    Negative reinforcement refers to subtracting/removing a stimulus to increase the likelihood of a target behavior (think reducing a prison sentence for good behavior).




  • I do appreciate creators who do their own content despite being keenly aware of the algorithm.

    Infrequent long-form content creators to check out:

    Tom O’Regan: British(?) topical/interest reviews, personal recommendations include his Obra Dinn video, Sickest Chess Match, and The Biggest Mistake In Music History

    B-Mask: I support him on Patreon so pardon the bias but he likes to take his time creating in-depth and clear retrospectives on topics he’s interested in, managing to get you interested in The Fantastic Four, Jems, and 2000s video game trilogies. Not long form for the sake of $$$ but insightful analysis of the history, themes, and personal deconstruction of such topics.

    Also check out Moth Light Media for evolutionary biology, and Lines in Motion for manga and art analysis.

    More frequent but short form (under 4 minutes) creators to check out are few and wide, 5sf are back-ish but carrying the torch are:

    CrackerMilk are a bunch of good aussie lads making short sketches for quick laughs, with excellent timing and shooting.

    Valueselect is a personal fave where he was doing sketches a year or two ago but is experimenting with yt shorts quite well. The majority of his comedy surrealist/fantasy/80’s styling music are absolute hits.

    Hope these are good starting points, I found these guys from browsing similar threads.