

King obviously didn’t want the other heroes to worry about becoming collateral damage when he attacks, so he quietly took off to his own route.
What a guy!



King obviously didn’t want the other heroes to worry about becoming collateral damage when he attacks, so he quietly took off to his own route.
What a guy!

I’m shocked that Hopeman took the minion’s word for it at face value.
The Evil Org and Hopeman really do have a working relationship.
The reference to the attacks being scheduled on Wednesdays was odd.
Super Hero Time when the Kamen Rider and Super Sentai shows air is on Sunday.


I have much stuff to do IRL, as opposed to just sitting around watching anime for hours every day.
I know which of those I’d rather be doing, but such is life.


I’ve just caught up for this season, and the animation quality has been rough. I’m seeing a lot of Chinese studio names in the credits, so I’m guessing JC Staff went with the lowest bidders
The directors and writers have taken many liberties to adapt the manga story to the TV show format, which I feel is completely understandable given pacing problems in the manga.
Here, Garou has pretty much destroyed the Monster Association on his own, which I don’t remember happening in the manga, so I’m not sure what they have in store for us.


Just be warned: The Monster Association Arc drags on for a loooong time in the manga, far longer than I felt was welcome…
You want to see the heroes and you will, but unless they skip through some side stories, like they did with Cat Demon in the Prison in s03e01, it’s going to be here for a while.


That art is soo good! That would be good for a manga panel, let alone an animation frame.
And also stuffed into emotional baggage.
The first thing that popped into my head was the classic shojo manga Rose Of Versailles/Versailles No Bara, which conveniently has a 2025 animated movie remake on Netflix
This story is from a manga from the 70s, there’s the 1979-80 anime TV show, a 1987 animated movie.
I’ve never watched it myself, but it’s one of the most famous bishojo stories out there, so there should be something good about it.
Another is Legend of Galactic Heroes, which features a space monarchy that resembles 19th century aristocracy, fighting space battles with Napoleonic era tactics. But a lot of the story is about the politics on both sides of the war. There is/was a recent TV remake: Die Neue These


I’m just catching up with a couple of shows.
Mushoku Eiyuu is pretty bad. The OP is decent though. The MC’s overpowered-ness, awful animation, sexist humorless writing. It’s a drop after 3 episodes.
Ganglion is very low key humor. More a straight rendition of Japanese office behavior and the absurdity of being an evil org minion than any attempt at being outrageously funny. The 3 minute episode format works against the storytelling. It’s probably best to “binge”.
It’s very low key humor, and very much sticks to its premise of “Live action hero-type evil org (think Kamen Rider’s Shocker org) as typical Japanese office corporation, with the masked minions/combatants as office drones”
The protagonist is very sympathetic. He’s got a loving family, this episode we even see that his neighbors are nice, despite him walking home with his evil minion mask and uniform every day.
The 3 minutes episodes (including OP and ED) work against the long story that I feel this is begging to tell.
It’s not LOL funny, more like “what would happen if this absurd situation happened”
I like it because I love this kind of riffing on live action heroes, and doubly so for evil orgs: See Miss Kuroitsu From The Monster Development Department
It is really wild: Produce is still sold by the pound.
It appears to be very much the perspective of a salaryman with a family imposed on the absurdity of being a live action show-type combatant/minion who of course works for an evil organization.
I can empathize with this statement from episode 2, for example:

Okay, just catching up, these 3 minute episodes just seem to fly by.
The voice acting is pretty good, led by veteran seiyuu Youji Ueda, Tomozaki Sugita, Aoi Koga, and Fumiko Takichi
Very much the Live Action Show combatant-as-salaryman in the 15 minutes of footage so far.
In that, it is kind of working, by showing the boss-worker social dynamics.
And I do like that he has a loving family, with an overly doting wife
But the running gag of our nameless combatant eating food objects that are too hot aren’t landing.
I do think that this makes better viewing in a longer format, and is best watched “binging” multiple 3 minute episodes in a row.
You do have to say that this school is preparing students for AI-obsoleted jobs of the future.
Blue doesn’t even get to see Green on the cable channels that he watches.
All Blue sees is Yellow blaming Biden and Obama for everything.


Overall, I enjoyed it. I found Denzi’s falling in love with Reze believable.
But the ending was somewhat predictable, even if it was somewhat shocking and effective, which is probably(?) true to the source material.
The fight scenes got too wild to keep track of exactly was going on.
I found little logic in the fight scenes.
They were nicely animated, but ultimately at what should have been the crescendo of the fights were just figures jumping around, devolving into meaningless squiggling lines, which strikes me as lazy storyboarding.
As opposed to having tense fight dynamics and choreography. But again, the source material may be to blame.
Didn’t he do it in CERN, an institution in switzerland?
Why yes! https://en.wikipedia.org/wiki/Tim_Berners-Lee#Career_and_research
Tim Berners-Lee invented HTTP, web servers and browsers, and is English.
Tonari No Yokai-san A heart warming take on an alternate universe where Yokai, Japanese mythological critters, live and work alongside regular humans. We see them get involved in regular life, and mythological events. It’s really great!